Rebecca Pronsky featuring Erik Cirelli and Serena Jost as support.
Emily Rodgers Band
Allison on bass
Hastily taken photo of Manhattan from the back seat of a car.
Emily Rodgers Band played Union Hall in Brooklyn over the weekend in support of their latest album Two Years, released in June on Misra Records. Sharing the stage were solo performances by Rebecca Pronsky and Serena Jost. All images copyright 2016 by Trevor Richards, and may not be used or reproduced in any way without prior written permission.
Matt at Caliper Music was kind enough to feature (((HUM))) on his experimental music blog, located at calipermusic.blogspot.com. His site contains a wealth of interesting and inspired experimental artists and I urge everyone reading this to go on over and have a listen. With daily entries, I can guarantee there will be something to catch the ear of just about any type of fan of the genre. Also, don’t forget to add and follow him on facebook and twitter.
(((HUM))) is now up for pre-order on my bandcamp page, with all nine tracks becoming fully available for download on Tuesday, January 5th. Three songs can be downloaded and streamed right now- “Voice of the mountain, Voice of the sky”, “Memorial”, and “(((HUM)))”. Check out the player below to have a listen.
The Maddening Parade, a New Album by Jesse Spillane
I recently had the pleasure of mastering Jesse’s latest solo release, The Maddening Parade and let me tell you , this thing rocks. There are just so many sounds and layers to it- from jazz to funk, electronic, rock, experimental, and even orchestral- I really do believe this album has something for everyone. A must listen for anyone who likes interesting, dynamic and stimulating instrumental music. I’m playing guitar, ebow, and lap steel on the song “Sun Dried”.
Compelling music and art go hand in hand, and such is the case here with the most excellent cover done by Cynthia Lee. You can check out more of her work at www.greenonioncomix.xyz
Please go over to Jesse’s bandcamp page and show him some support. Word has it, if you write him a haiku, he will send you a code that redeems a free download of the entire album. I’m not making this up, the details are on his page. Check out the player below.
The mastering stage is complete and I have decided on a release date of January 5th. The final track listing and song order are as follows:
$pace! (feat. Jesse Spillane)
Voice of the Mountain, Voice of the Sky (feat. Allison Kacmar Richards, Jesse Spillane, and Mike Smales)
Shaman of the Northern Forest (feat. Allison Kacmar Richards)
Memorial (feat. Jesse Spillane and James Dittrich)
So yeah, nine songs, totaling about 45 minutes worth of music. I am really happy with how everything turned out. It was a slightly longer road than expected to get to this destination, but I believe it was worth it. Check back later in the week, as I am planning on releasing one or two preview songs before Friday.
I am happy to announce that all recording for the album is complete and I am working my way through the tracks getting final mixes ready for mastering. After a few setbacks and delays, I can say with confidence that it shouldn’t be much longer now until release. The tentative track list is as follows, listed alphabetically:
Hazy Meadow, Sleepy Field
Memorial (feat Jesse Spillane on organ/mellotron/synths/clarinet and James Dittrich on bass)
Shaman of the Northern Forest (feat Allison Kacmar Richards on bass)
$pace! (feat Jesse Spillane on piano/synths)
Voice of the Mountain, Voice of the Sky (feat Allison Kacmar Richards on bass, Jesse Spillane on Organ/Wurlitzer, and Mike Smales on drums)
New Album by Jesse Spillane
In other news, I recently mastered a new album by Jesse Spillane (http://www.jessespillane.com/) that should be out “some time by the next decade or so”. There is a preview song now available on his soundcloud page. Check it out below!
The new album is coming along really well, with a large portion of the songs either completely mixed or getting very, very close. Unfortunately, my original estimate of a mid-October release may need to be pushed back ever so slightly, but for good reason. I’ve actually decided to track a few more songs that have been on the back burner, ones that I think very much deserve to get their shot on this album. I’m hoping for sometime in November.
Despite the delay, I’m still really excited to get this collection of songs out there. In many ways I think it will serve as a recap of where I’ve been musically in the ten years since I recorded my last solo effort, Trap Door. My jazz, rock and blues influences, as prominently displayed on my work with Eighth Whale, will downplayed the most, I think. They may still show themselves from time to time on a few tracks. In their place will be a renewed interest in stoner, post-rock, psychedelic, world music, and even some metal-esc undertones. Of course there will still be quite a few drone, experimental and soundscape tracks, many of which are being filtered through the lens of analog synths and electronic drum machines.
Confused by that description? Basically, all you need to do is mix burning off impurities era Grails with a sun that never sets era Neurosis, throw on some pre-80’s King Crimson and Pink Floyd’s live at Pompeii, pile on some Boards of Canada and Nine Inch Nail’s Ghosts I-IV, and finally blend in some Godspeed You! Black Emperor, Om, Sleep, and Swans for a little flavor. Should be interesting!
Cheap Gear? Never Fear!
Okay, my gear isn’t really all that cheap, but still very much in the realm of D.I.Y. I figured It might be fun to share some pictures of my recording setup. Sorry about a few blurry pictures, maybe I should lay off the caffeine a little bit.
I’m excited to announce that I am currently in the mixing stages of a new full-length album estimated to be released sometime in mid-October of this year. The recording is a follow-up to last years “Trap Door” album, which was a collection of experimental, drone and rock songs originally recorded in 2005 at a house in Youngstown, Ohio.
The passage of ten years has certainly had its influence on my approach to songwriting, mixing and recording, though I think the general spirit of what I was doing back in ’05 remains intact with this new work. The inclusion of more electronic and synthesizer tones is probably the biggest contrast to the previous release, though I think I it is fair to say I am also paying more mind to melody and song structure as well. The album will feature a few surprise guest musicians and will be available for download on bandcamp.
In somewhat related news, I have a new incarnation of my seemingly ever-changing pedalboard (pictured below). This setup has really allowed me to get some crazy guitar tones that I don’t think I could have arrived at in any other way, many of which will be featured on this new release. Though one could easily imagine a more complex setup (I myself have been known to occasionally employ two similarly sized boards in the past), the current pedals bridge the gaps between versatility, portability and simplicity.
The current order is like this: guitar> Isp Decimator> boss TU-2 tuner> boss PS-6 harmonist> Ibanez TS9 tubescreamer> EHX Superego> Moog Ring Modulator> EHX delux Memory Boy> Boss TR-2 tremolo. The board is a pedaltrain PT-2 PRO and I am running a pedalpower 2 plus for the power supply. The heart of the board is definitely the Superego and the Ring Mod , both of which take the guitar more so into the realm of a synthesizer than anything else. With these tools I am able to lay down huge sounding and ever evolving drones, very reminiscent of Indian classical, Arabic, and Celtic traditional music. Here’s a sample recorded live with a zoom H2. Everything is coming out of the amp at the same time and there are no overdubs.